Обложка трека Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 22. There are several independent love-motives (Ex.110- — Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti

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Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 22. There are several independent love-motives (Ex.110-

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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 27. Closely associated with Gutrune's motive (Ex.136-40

Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti

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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 28. Here we come to the end (Ex.141-6)

Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti

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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 29. Complementary to this symbol (Ex.147-9)

Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti

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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 30. One last central symbol (Ex.150-7)

Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti

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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 26. Ironically, this phrase (Ex.131-5)

Deryck Cooke, Wiener Philharmoniker, Sir Georg Solti

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